We’re familiar with such dark apocalyptic tales as The Road, The Book of Eli, and On the Beach. The world coming to an end or it has been so altered no one really wants to live here anymore.
When I wrote my post-apocalyptic novel series The Rocheport Saga, I was uncomfortable classifying it as post-apocalyptic because it just didn’t seem to fit the genre.
I didn’t have legions of zombies or hideously morphed humans wiping out the last remnants of humanity. Nor did I have the bleakness of Mad Max. And while there are cannibals present in the early books of the Saga, they don’t pose an insurmountable threat. I can’t even honestly lay claim to the dystopian tag, for the Saga is at base optimistic.
The question before me was, how do I classify The Rocheport Saga? It was a question, up until recently, I had no clue as to how to answer.
The other day, cruising around on the web (mostly to avoid editing, which I just can’t stand), I stumbled on a 2009 article in The Guardian entitled “The discreet charms of ‘cozy catastrophe’ fiction”. I couldn’t believe it. I had found my sub-genre! Unknowingly I had written a cozy catastrophe in the great British tradition of H.G. Wells and John Wyndham.
Additional research turned up two more excellent articles: one by Jane Rogers and one by Jo Walton.
So what is a cozy catastrophe? Basically it is a tale where most of the earth’s population is wiped out rather quickly and the survivors don’t dwell on the disaster (which is usually manmade). Instead, they set about trying to rebuild civilization. As one wit noted, cozy catastrophes are similar to cozy mysteries: people meet violent deaths, but there’s always tea and crumpets.
And such is the case with Bill Arthur and his band of intrepid followers. There is the big wipeout and then the survivors are plagued with death from disease, accidents, battles, wild animals, and murder. Yet they overcome the odds and begin rebuilding civilization, a better world than the one that died.
I’m very pleased to have discovered The Rocheport Saga has a home with such classics as The Time Machine, The Day of the Triffids, The Death of Grass, and Childhood’s End; as well as the regrettably short-lived BBC series remake of “Survivors”.
As always, I’d love to read your thoughts on the ‘cozy catastrophe’.
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Love it! Being an optimist cozy catastrophe is much more appealing then a zombie apocalypse. This makes me want to start my own cozy catastrophe saga, but alas editing the old before beginning a new series.
I agree! Tea and crumpets before zombies any day! And yes, you want to finish the old before starting the new. Don’t do what I do and start 3 new projects while editing. All because I don’t like editing.